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Smashing Magazine’s 2nd Anniversary

It happened again. Today, Smashing Magazine celebrates its second birthday. We are two years old now and we are proud of what we have achieved over these years. To celebrate our anniversary, we could do any number of things. For instance, we could organize a huge giveaway—as we did one year ago—but, of course, bigger and more overwhelming. However, we won't do that; after all, we're giving away stuff every week and we have many contests where our readers can win truly smashing prizes. (New contests are already on their way.) Instead, we could share some insight about the highlights of Smashing Magazine over the last 12 months: an exploding number of page views, hundreds of thousands of backlinks, numerous testimonials and rewarding ad revenues. But we would probably sound like show-offs and we can't afford to do that; after all, we have only published 301 posts so far.

It happened again. Today, Smashing Magazine celebrates its second birthday. We are two years old now and we are proud of what we have achieved over these years. To celebrate our anniversary, we could do any number of things. For instance, we could organize a huge giveaway—as we did one year ago—but, of course, bigger and more overwhelming. However, we won’t do that; after all, we’re giving away stuff every week and we have many contests where our readers can win truly smashing prizes. (New contests are already on their way.)

Instead, we could share some insight about the highlights of Smashing Magazine over the last 12 months: an exploding number of page views, hundreds of thousands of backlinks, numerous testimonials and rewarding ad revenues. But we would probably sound like show-offs and we can’t afford to do that; after all, we have only published 301 posts so far.

Another possibility would be to discuss our plans for the future. What’s happening behind the scenes? What’s in the works? We could even share some top-secret information about the planned Smashing Book Series or new Smashing Forum. However, we won’t do that, because nobody can predict how successful those will really be.

Hence, the only remaining thing for us—Vitaly, Sven, the writers and other creative, hard-working minds of the Smashing Magazine team—to do is express our sincere gratitude to each of our readers for an absolutely smashing year. Without you—each and every one of you—our small magazine could not exist and definitely could not become what it has become today.

Comment and Win an Exclusive Poster!

Still, we do have a small surprise for you: a handful of exclusive Smashing Magazine posters, designed by the well-known, talented artist James White. You can preview the poster here or read the Making Of.

We are giving away 8 exclusive printed Smashing Anniversary posters, shining like gold in A3 format. Only 11 posters have been printed worldwide. If you want to win one of them, just write some kind words and congratulations in a comment to this post.

The winners will be determined randomly among all valid comments (spam and ad links do not count). Don’t forget to provide a valid email address in the input field, otherwise we won’t be able to notify you.

Thank you, folks! We really appreciate your support.

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Photoshop World Insiders Guide

Photoshop World Insiders Guide
Hey folks, I’ve got a cool Lightroom video tutorial coming later this morning so make sure you check back. However, I’m teaching Lightroom at Photoshop World next week and I had an idea for those of you attending (NOTE: if you’re not attending just skip this post and wait for the video later today). See, [...]

Hey folks, I’ve got a cool Lightroom video tutorial coming later this morning so make sure you check back. However, I’m teaching Lightroom at Photoshop World next week and I had an idea for those of you attending (NOTE: if you’re not attending just skip this post and wait for the video later today). See, I just finished writing a Photoshop World insiders guide and thought I’d share it here for those of you heading to the conference. Again, make sure you check back later this morning for the Lightroom video. Thanks!

Matt’s Photoshop World Insider’s Guide

Photoshop World is here and it got me thinking about some one attending the conference for the first time. It’s overwhelming. Trust me, I’ve been there as an attendee. Before I ever started working for NAPP, I was a NAPP member and I remember going to Photoshop World for the first time when they didn’t have half of the classes and instructors they do now - and it was intimidating then. So here’s my guide from an insider’s perspective to help you get the most out of the conference.

What to bring with you?
I hear this question a lot. “Should I bring my laptop?”. I say bring it. I didn’t own a laptop when I first went and I wish I did. That said, leave it in the room during the day. Your classes will keep you plenty busy and it’ll just be one more thing to lug around. See, the sessions aren’t hands-on or meant for you to follow along. If you try, you’ll probably wind up getting frustrated so don’t bother. But you’ll inevitably want to experiment with the new stuff you learned that day so you’ll be happy you have it later.

How about cameras? It depends. Do you have specific plans to go out and shoot? If so, then bring it but pack light. Try to bring your most versatile lens and that’s it. A lot of times a simple point and shoot will do just fine if you just want to capture some memories from the conference. If you do bring the camera then you’ll have to decide whether to leave it in the room or take it with you. I can’t decide that one for you. Personally, I leave mine in the room a lot but I also cringe when I do. Hey… it is Vegas after all.

A lot of folks ask if they should bring other Photoshop books to the show. You won’t really need ‘em. The only exception is if you have a book that you’d really really like to get signed by one of the instructors there. In that case, they’re all very approachable and most consider it an honor when anyone asks them to sign a copy of a book (I know I do).

Finally, bring a sweatshirt. Although it’s hot outside, it’s FREAKIN cold inside.

Matt’s Insider Hint: You may want to think about bringing an extra bag. You’ll inevitably pick up some small (and sometimes large) goodies along the way. If you have an extra bag packed, then you can always throw your new stuff in there for traveling back home so your original bags aren’t bulging at the seems.

Pre-con Day
If you’re attending a pre-con keep this in mind. If you sit down and the class is nothing like what you had expected (maybe it’s too advanced) then get up, go outside and look in on one of the other pre-cons. You paid your money and we don’t want you feeling like your stuck in one class that isn’t what you thought it would be. Here’s the catch. We can’t guarantee that you’ll find a seat in that other pre-con. The class may have been sold out (which is maybe why you weren’t able to register for it in the first place). But it’s worth a try right?

Oh yeah, one more thing. This only goes for the classroom pre-cons that don’t involve anything hands-on. Those are a bit different due to costs, seating, instructor-to-student ratio, etc… Take a look at the Photoshopworld.com pre-con page and you’ll see what I mean by the classroom workshops.

Matt’s Insider Hint: Make sure you download Dave Cross’s Photoshop World planner. Figure out a plan of attack. You can always change it later but getting a head start is always a good idea.

Picking up your conference materials (checking in)

1) If you’re taking a pre-con: If you already registered then you should have gotten a packet in the mail. Bring everything in that packet (mainly the letter with the badge attached to it). If you’re taking a pre-con you’ll be able to pick up all show materials at badge holder check-in (workbook, pro-pass stuff, etc…) that day.

2) For most people you’ll be doing this the next day (keynote day). Here’s my insider advice. If you see a line, that doesn’t mean you have to get in it : )
If you get there at the crack of dawn on keynote day (you wouldn’t believe how many show up at 5:30 am), you’ll be trying to pick up your show materials along with 3000 of your best friends. Instead, sleep in that day. Grab a coffee first if you need it. There’s no reason to get there early. Arrive about 30-45 minutes or so before the keynote to get a good spot in line (the doors open about 15 minutes before the keynote). Forget about picking up your stuff for now. Go in. Enjoy the keynote. Then, on the way out, stop by and pick up your show materials at “Badge Holder Check-In” (not registration) when the crowd has emptied. Heck, you can pick up your stuff anytime on the first day so don’t feel the need to grab it right away.

Either way, if you see people walking around with stuff you don’t have, don’t sweat it. As an insider, I can tell you we bring plenty of show materials so regardless of when you pick them up, you WILL get yours if you’ve registered for the conference.

Matt’s Insider Hint: Don’t leave your badge/letter at home. If you’ve already registered for the conference (which should be most of you who are going) you received a letter with a badge attached in the mail. Bring it and go straight to the Badge Holder Check-In area.

Picking Which Classes to go to
This is probably one of the most important topics. My suggestion is really simple: try going to classes that you don’t already know much about. For example, one time I sat in on a camera raw session and watched some one approach the instructor before class. They told them how much they loved his teaching and that they’d read every camera raw book under the sun already. I saw this person later in the conference and just kind of casually said, “Hey, I saw you in the camera raw class. What did you think?”. They said the instructor was excellent but they already knew most of the stuff. The moral of this story is that you should really try to expand (not reaffirm) your knowledge at Photoshop World. If you’re torn between two sessions to go to, then go to the one that you know less about. If you’re a fairly seasoned photographer who’s been trying to make their own brochure, then skip the lighting class and sit in on Terry White’s InDesign class. Nothing can replace learning from some one in a live setting, and learning something new that way can really help it sink in.

Matt’s Insider Hint: On the first day, find a few minutes and sit down with the workbook. Look through the classes you were planning on going to and check out the notes. Sometimes, it’ll reaffirm your choice to go to a class and sometimes you’ll see another class that may be more your style. For the most part, the workbook should be exactly what is taught in class so it’s a good indicator of whether you’ll like the class or not.

The Workbook
Another question I hear a lot is whether or not to carry around the workbook. This is a tough call. It’s a big workbook and it’s heavy (900 pages heavy). It’s got ALL of the notes for ALL of the sessions in it. Well, just about all. Sometimes instructors don’t hand their stuff in on time (their fault, not ours) but don’t get me started : )
If you’re somewhat experienced, I’d recommend leaving it in the room and just carrying around a small notepad. If you think you can sit and absorb then that’s the best way to go. Also, you’ll receive a 10-12 page show guide listing all of the classes and their locations so that will help get you around. If, on the other hand, you typically take lots of notes and those notes really need to be on the same pages as the session you’re taking then consider bringing the workbook. I know, it’s heavy - but you’ll live.

One more thing. Instructors will often have extra downloads that they mention in the class. Don’t worry about writing down the link, it’s really simple. Just go to www.photoshopworld.com after the show and you’ll see a conference downloads area there.

Matt’s Insider Hint: Before you frantically start scribbling down settings or a cool tip, take a quick look through the workbook to make sure it’s not already there. I see this happen all the time and I have to remind people the settings are right there in the workbook.

Where to sit in a class
First off, try to get there early. It’s not always possible, I know. But some classes do get crowded and the best seats go quickly. Next, I’m going to shatter a big myth here. You don’t need to sit in the middle of the room in front of the instructor. I know, it’s hard. A lot of you like to stare at me (I’m totally just kidding here!) : )
Seriously, many of the rooms have several screens across the front of the room. The middle gets crowded quickly. As along as you’re OK with not looking directly at the instructor sit in one of the end sections in front of one of the other screens. Chances are you’ll get a better seat plus it’ll set you up for my tip below.

Also, if you sit down in a class and realize this just ain’t for you then get up and leave. Of course, be polite about it and try not to make too big of a commotion but, by all means, go find another class. There’s always more then one going on and you’re free to move in and out of any track you like.

Matt’s Insider Hint: If you can swing it, sit near the end of a row. This will give you a good exit strategy if you need it. Plus, it’ll also help you be one of the first out so you can get to that next class quickly.

Asking Questions
You’ll probably have a question or two (or twenty) to ask the instructors. Please hold off from asking right in the middle of a session. It throws them off and it also throws everyone else in the class who was listening to them off. Instead, wait until after the session is over and go up and ask. If there’s a long line you can either wait (you’ll often learn stuff from hearing them answer other questions) or catch them later. See, the instructors are there because of you. We totally dig it when people come up during the show and ask questions. We’re geeks. We don’t get out in front of 3000 people that often so it really is great when we see the enthusiasm, and can help make your conference that much better by helping you out with a specific problem.

Matt’s Insider Hint: The Tech Expo is where a lot of the instructors hang out. If you weren’t able to get your question answered in class, chances are you can track them down there (they’ll probably be teaching there at some point) and get your question answered then.

The Tech Expo
Look at the list of exhibitors on the expo floor. Many of them bring products with them. Go look now and if you’ve been thinking about buying something wait until next week before pulling the trigger. They usually have discounts.
NOTE: Adobe typically doesn’t sell software at the conference so don’t expect to buy Photoshop or Lightroom there.

Matt’s Insider Hint: If you’ve got a friend in the area, they can attend the Expo for free but they’ve got to go to Photoshopworld.com and sign up for a free pass. If not, they’re going to have to pay that day. So spread the word and save a few bucks.

Networking & Socializing (thanks Lisa)
This is a huge benefit of being at conferences nowadays. Getting out there and meeting people to form relationships is more important than ever because we’re all spread so far away from each other these days.

Rule #1: Bring business cards. Sounds like a no brainer right? You wouldn’t believe how many folks I run into that don’t. Buy ‘em from Staples (the perforated kind) and print out simple cards if you have to, but bring something with your name and email on it.

Rule #2: Talk to people. You’ve got a lot in common with the people at Photoshop World so strike up a conversation. Make plans to meet for lunch or dinner. You’ll either a) realize this could be a potential business or personal relationship you want to keep after or, b) you’ll realize you don’t want to keep up with this person. Worse case scenario, you’ll never see this person again after a couple days so who cares. You’ve got nothing to lose though.

Midnight Maddness
Getting tickets for Midnight Madness is pretty straightforward. They’ll announce throughout the conference when the tickets will be available (usually earlier in the morning before classes start). If you get there early for a ticket your chances increase dramatically of getting one (there’s only 250 of them). However, there is obviously a trade off since getting there early means sleeping less. Keep one thing in mind. You’ll hear several times that you won’t learn anything (or at least anything good) at Midnight Madness. Please don’t kid yourself into thinking that we’re exaggerating. We’re not. You really won’t learn anything Photoshop related.

Matt’s Insider Hint: If you go to Midnight Maddness and like to volunteer for things you may actually have to do something on the computer. If you do, and your tip is really lame please don’t blame it on the Mac or PC that you’re using and say you use the other one at work. It just doesn’t fly : )

Well folks, I hope you enjoyed my little insider guide to Photoshop World. Be safe and have fun.

- Matt Kloskowski

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What's covered Open JPEG and TIFF files in Camera Raw in Photoshop CS3 Open JPEG and TIFF files in Camera Raw in Bridge CS3 Open JPEG and TIFF files in Camera Raw in Photoshop Elements 6 The Adobe Camera Raw plug-in gives you the ability to work with DNG files and... Read More

PDF files open in Photoshop Elements 4.0 instead of Acrobat (Windows)

Issue After you install Photoshop Elements 4.0, PDF files open in Photoshop Elements 4.0 instead of in Acrobat. Solution: Change the PDF file association to Acrobat. 1. Right-click any PDF file. 2. Select Open With > Choose Program. 3. Select the version of Acrobat you see in the programs list (for example, Acrobat 7.0, Acrobat Reader 7.0). Note:... Read More

Freeze or crash when you start on a system with Realtek HD Audio ( Windows XP)

Freeze or crash when you start on a system with Realtek HD Audio ( Windows XP)
When you start Adobe After Effects, Audition, Encore DVD, Photoshop, Premiere Elements, Premiere Pro , or Soundbooth, one or more of the following occurs: The system reboots followed by the warning message, "The system has recovered from a serious error". The system displays the blue-screen error message, "A problem has been detected and windows has been shut down..." "Stop: 0X000000C5" or "Stop: 0x0000008E"...

Easy Favicons - No Plugins required!

Easy Favicons - No Plugins required!

Creating a promo sheet in Lightroom

Learn the best way to create a customized promo sheet in Photoshop Lightroom. Read More

Label and view hidden photos in the Organizer (Photoshop Elements 6)

Label and view hidden photos in the Organizer (Photoshop Elements 6)
What's covered Label photos as Hidden View Hidden photos Unhide photos (make photos visible) This document explains how to label photos as Hidden in the Organizer in Adobe Photoshop Elements 6; and how to show the photos again after they have been hidden. Earlier versions of Photoshop Elements used a special "Hidden" tag to accom...

Typographic design with Photoshop

In this excerpt from Adobe Photoshop CS3 Classroom in a Book, learn how the great type tools in Photoshop make it easy to add text elements to your images. Read More

Can't find or start the installer after you download Photoshop Elements 6 or Premiere Elements 4 (Windows Vista)

After you download Adobe Photoshop Elements 6 or Adobe Premiere Elements 4 on Windows Vista, the installer does not start and you can't find the downloaded file in the folder to which you downloaded it. The Launch button in the Akamai Download Manager window does not do anything. You started the download from Microsoft Internet Explorer 7, and Protected Mode is enabled in the Security settings. You started the download from Microso... Read More

Cameras supported by Camera Raw import filter (Photoshop Album 2.0)

Cameras supported by Camera Raw import filter (Photoshop Album 2.0)
Adobe Photoshop Album 2.0 can import raw image files from the following cameras. Photoshop Album can't import raw image files from cameras not listed below. Canon Fujifilm Minolta Nikon Olympus EOS-10D EOS-1D EOS-1Ds EOS-D30 EOS-D60 PowerShot 600...

Edit your Encore DVD menus easily by opening them in Photoshop

See how tightly integrated Photoshop and Encore DVD are, and learn how easily you can edit menus in your DVD project by opening them in Photoshop. Read More

Carbonite Online Backup Software - Free 15 Day Trial - Total Online Backup Software Solution

Every year, 43% of computer users lose irreplaceable files. Carbonite automatically and securely backs up photos, emails, music, financial records and other important documents for only $49.95 per year ($89.95 for 2 years) – no matter how much stuff needs to be backed up. Restoring lost files takes just a few clicks. More than 60% of people who download the free trial end up subscribing to Carbonite. Try Carbonite Online Backup free for 15 days and back up all of your irreplaceable files automatically and securely. There is no credit card required for this free trial. (posted by Jennifer Apple for www.PhotoshopSupport.com)

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Custom paper sizes are not saved with images in Photoshop CS3

Custom paper sizes are not saved with images in Photoshop CS3
Adobe Photoshop CS3 on Windows does not retain custom paper size in the Print dialog when you set the paper size to something other than 8.5 x 11 inches and then save, close, and reopen your image.Manually reenter the custom paper size when you open the Print ...

Halo 3 Logo

Learn how to create the new Halo 3 Logo!

Learn how to create the new Halo 3 Logo!

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